Recap Basel: Public Art

Public art is FANTASTIC!

Okay, I know, I will elaborate on this opinion. Let’s get past the bureaucratic concerns about public art, public opinion, and what artists are allowed to do with tax payers money. It would take too long to discuss this and take time away from enjoying the public art at Art Basel/ Art Public and from Art Parcours. Both of these public art events are connected with Art Basel, but they are very different in their concepts. 

In front of the entrance to Art Basel and scattered throughout the giant pavilion at the Messeplatz were selected Art Public installations and happenings. It was nice to know that those who couldn’t afford the hefty price tag that came with the Art Basel entrance card, could still eat lunch next to Thomas Houseago’s Giant Giant and enjoy the random sounds escaping from Alberto Tadiello’s LK100A. 
Although I missed most of the happenings, I was pleasantly surprised by certain installations that I did not truly notice until the last few days, such as Eric Hatten’s Déplacement/version 2010 (aka a streetlamp). It caught me by surprise, and it was fun to see other spectators sitting or leaning against it- not noticing that all the while they were interacting with art.

Art Parcours was a scavenger hunt around the old center of the city set at nighttime. On this particular night it was cold and rainy. Not fun. But the scavenger-hunt for art was very fun. Although I had a pretty awful sore throat and was not dressed to ‘muddle through puddles,’ I sucked it up for the art.* And it was worth it. I bought a set of costume jewelry from Martha Rosler at her Fair Trade Garage Sale, I succeeded at achieving equilibrium with two other ‘viewers’ on Damien Ortega’s New Balance, and I enjoyed the sights and sounds of the eight other pieces (events). The two pieces which I thought were the most visually striking were Daniel Buren’s Colors on the Rhine and Angela Bulloch’s Night Sky: Mercury and Venus.

Ai WeiWei, Field, 2010

Galerie Urs Meile, Beijing, Luzern

Thomas Houseago, Giant Giant, 2010

Xavier Hufkens, Bruxelles

Alberto Tadiello's LK100A, 2010

 T293, Naples

Damien Ortega, New Balance, 2010

City Hall, Court Yard

Angela Bulloch, Night Sky: Mercury and Venus, 2010

Münster Cathedral

Daniel Buren, Colors on the Rhine, work in situ 2010. 

Old University

Quick Note: All daytime pictures are Art Public events, while nighttime shots are Art Parcours.

*I was lucky enough to have been invited to a VIP Reception at the Kunstmuseum. Great food and a great collection, but my attire was not meant to go from parading around the halls of a vast museum to wadding through the cobbled paths of the city.