Art Basel has come and gone, but I wanted to take a couple of posts to recap my experiences in image and word.
Of all the Art Basel sections, I was truly impressed by the works in the Art Unlimited area. This element of Art Basel began in 2000 and has since then focused on exhibiting works that “transcend the classical art-show stand- including video projections, large-scale installations, massive sculptures and live performances.”*
And boy did they transcend. I was blown away by the sheer mass of some of the works. It was also delightful to be able to interact with and touch works such as Michelangelo Pistoletto’s Labirinto e Grande Pozzo (1969/2010) and Agnes Varda's La cabane sur la plage (qui est aussi une cabine de projection), 2010. In Pistoletto's work I was not only trying to find my way through the massive cardboard maze to the central ‘well,’ but I was dealing with other viewers as they passed me or stood in my way. As we all focused on reaching the central point and then moving towards the opposite exit I became aware that this interaction with the other viewers was perhaps more important that the giant mirrored ‘well’ that reflected our images.
Yayoi Kusama’s Aftermath of the Obliteration of Eternity (2008) was an interesting work that the viewers got to enter (3 at a time). The most basic explanation for it was that the space was a lightshow set on a timer. This was due to the hundreds of floating candles. But it was much more than that. The space was moving, and the pattern of the flickering lights was an intense experience that called upon memories of searching for, stumbling to light, and holding candles after a major catastrophe.
There were so many installations that clearly intended to capture and hold the audiences attention. I highly recommend you taking some time to enjoy the images and video of below. These were just a few of the works that interested me. But don't worry if you aren't drawn to anything here, this is just the tip of the Basel iceberg. Many more gallery, artist, fair reviews are coming soon!
There were so many installations that clearly intended to capture and hold the audiences attention. I highly recommend you taking some time to enjoy the images and video of below. These were just a few of the works that interested me. But don't worry if you aren't drawn to anything here, this is just the tip of the Basel iceberg. Many more gallery, artist, fair reviews are coming soon!
Michelangelo Pistoletto, Labirinto e Grande Pozzo, 1969/2010
Galleria Continua, It-San Gimignano/CN-Beijing/FR-Le Moulin
Glen Rubsamen, A Fever Dream, 2010
Mai 36 Gallery & Annemarie Verna Galerie, CH- Zurich; Alfonso Artiaco, IT- Naples
Yayoi Kusama, Aftermath of the Obliteration of Eternity, 2008
Gagosian Gallery,US- NYC
Ugo Rondinone, Clockwork for Oracles II, 2008
Gladstone Gallery, US-NYC
Zhang Huan, Hero No. 1, 2009
The Pace Gallery, US- NYC
Doug Aitken, Frontier, 2009
303 Gallery, US- NYC & Regen Projects, LA; Presenhuber, CH- Zurich; Miro, GB- London
I'm happy to see these highlights from Basel. Aftermath of the Obliteration of Eternity looks like it was worth the trip in itself.
ReplyDeleteKeep up the great work over there. Greg
Thanks for the compliment Greg, I really appreciate it!
ReplyDeleteAnd yes, Aftermath of the Obliteration of Eternity was awesome, I just wish we got more than 90 secs. I wasted have the time trying to get a decent photograph, and I wasnt willing to wait in the queue a second time!
Thanks